More working with wet-in-wet, as well as white and shades of white. Not sure if the idea that the part of the lower trees facing the viewer convey a sense of shadow – being darker – before moving into the shadows in the foreground.
With wet-in-wet, it is really important to understand how a paper responds to water. This is Canson XL, a student grade paper, but one that I like to use when experimenting. I’ve never really worked at using it really wet, but the results of focusing on it – having it sopping, having it damp – is beginning to yield some decent results, such as few blooms and hard edges.