Another painting done primarily with a hake brush.
This painting was done on the reverse of a previously painted piece of Arches 16×20 CP 140#. I wet the paper initially, taping it only in the corners, and was rather pleased to see how the paper relaxed once wet. I moved the tape as needed to keep the paper flat.
Anyway, the work here was themed on wet-in-wet, use of an excessively large brush (for me!), and standing up, rather than seated. The results were interesting – standing up allowed for more freedom of brush stroke. Getting the paper wet and letting it set a bit before starting the washes also helped.
Compositionally, I think it is a bit bland – really very little to lead the eye. However, this was not my focus here; rather, I wanted to use the hake brush to create sky and foliage as well as broader swaths of color. The nature of the soft brush allows for thin lines, rough splotches of color with white or underlying colors to show through, as well as washes of subtle beauty. From there I used a rigger to create branches, trunks, and some more calligraphic and suggestive lines.