I just finished a course on drawing as a preliminary to one on brushwork, and then color theory. Between will be challenges, and the challenge between drawing and brushwork is a 30-day challenge to do small, preliminary sketches in pencil.
One of the things I have enjoyed about the course, taught by Ian Roberts, is the development of drawing as a preliminary to a painting. Initially, as in the first few weeks, shapes were simple and the point was to carve out space on a 2D surface to create a 3D image. We ended with a challenge of doing one such sketch a day for 30 days – or however many sketches we could do. I have time to do 30, so 30 it will be.
I never do value studies, but I admit to laziness and impatience on my part. So, I decided that I needed to do something which will shake up my approaches to painting. As well, values are always hard for me to see as color always gets me. Roberts says, “Color gets all the attention but value does the hard work.” Or something like that. So true!
What I have enjoyed in particular is how Roberts approaches composition – leading lines, horizontal, verticals, and all leading to the focal point of the picture. I think I am getting that. The direction of the pencil lines indicates, too, the vertical, diagonal, and horizontal. Brush strokes can indicate the same.
Obviously the first picture has some verticals – and things we expect to be vertical, even if tipsy, such as the fence posts on either side of the road. The second one, a picture of low tide at a local beach, doesn’t seem to have any verticals except in the cliffs. But wait! The lines of the ocean and beach are nearly vertical – something I never considered until Roberts pointed them out.
I admit, I am curious how I will get my black and white studies onto a painted surface in color, but I guess that will come with time and practice. All told, I will be in his class through August, and I hope by that time to see some improvement.