Tuesday’s colored pencil class was especially fun! The title says it all. One of my favorite exercises to date.
Category: Colored Pencil
Nothing more appealing (to some) than a sad, stray kitten, abandoned by all. However, this really is not the point of the study!
I tried the Luminance colored pencils, rather than my usual Prismacolor Premier. It is a totally different experience using them, but not better or worse. I decided to just play with the pencils, not aiming for anything other than just experience. I used a grey-brown Mi Teintes paper and a picture from Pixabay. I laid in a number of layers, ending with a brush and Gamsol (odorless mineral spirits), followed by a few quick lines for whiskers.
Poor kitty, but I didn’t stop there, either. After scanning the image, I really didn’t like the roughness of the cat’s fur. In post, I dropped the black a bit and blurred them together. This made the kitten more opaque. I also pushed colors a bit – don’t remember what I did – and ended up with a picture I prefer to the original. The poor kitty also has lopsided eyes – how pathetic is that?
Anyway, original is below. What do you think? Each has its merits, IMHO.
I am retaking the beginner’s colored pencil class again as well as a more advanced class offered by the teacher later this month. It’s not a bad thing – it gets me out, I meet up with people I enjoy, practice continues. The teacher and group are both excellent, so why not?
Here, an orange, done with about 5 colors. Pencils are Prismacolor Premier drawn upon Stonehenge Legion 140# watercolor paper.
I have a habit of giving things, especially animals, honorifics. Mr. Frog. Mrs. Giraffe. Mr. Happy Pants. Mr. Grumpy Britches. Lady Dilly Dally.
Yesterday was the last of the colored pencil classes, and I signed up for more. I have totally enjoyed this class because we are not taught “how” but, instead, explore. Different techniques, tools, paper, colors, and so on. That is what has made this class particularly fun, besides the fact that the teacher is very nice, positive, and comfortable to be around.
This is a giraffe (obvious?) done on Pastelmat sanded paper by Clairfontaine. The surface has a bit of grit on it, but it is really, really fine grit. If you have used Uart 800 paper, this is finer. We drew our giraffes, then used Gamsol (odorless mineral spirits) to refine the giraffe by blurring the colored pencil and softening the edges. From there, a bokeh background with squiggles of color and more Gamsol. Finally, I decided to add some leaves and branches straight to the image, no Gamsol.
This image is a straight Epson V600 scan without color adjustment. Unlike Mr. Frog, this one is not layers and layers of colors, paint, and who knows what else. Fun and easy to do, and to scan.
Milkweed is a plant the oozes a milky substance when injured, such as cutting it. This ooze is rather thick and can irritate some people. When I was a kid, the milkweed in our area produced big pods that split open, and all the seeds flew off in the wind. It was always a fun thing to see.
Here in California – and I expect much of the western US – there is a different type of milkweed. This one is vital for the health of Monarch butterflies, and sadly, its presence is diminishing. The result is fewer butterflies every year. There is a concerted effort by gardeners and conservationists to propagate the milkweed, as well as to preserve it in the wild. Like the plant of my childhood, this one oozes and has windborne seeds, but has flowers (don’t recall ever seeing milkweed flowers as a kid) that come in yellow and dark orange.
I have milkweed in my garden, thanks to Am, my lovely auntie! Last year I lost it all because of rats, along with my lilies, but this year, thanks to bait stations, it is surviving. So, yesterday, a bit restless, I took out some Polychromos pencils, a pad of paper, and got to work.
Black paper with metallic colored pencils make for a great study of soap bubbles! Here, the rougher surface of Mi Teintes pastel paper was used. Circular templates with very sharp pencils created the outlines of the bubbles, and then the pencils were used to create the reflections inside the bubbles and the iridescent qualities that make soap bubbles so beautiful. Below, same technique but on the smoother side of the black Mi Teintes paper.
If you read my blog at all, you know I think that you can, and I do, learn a lot from watching “how to” videos. YouTube is my favorite resource. Today, an apple without a stem. The video I followed is by Chris Cheng, which you can see below.
This video is rather long, no sound, but references to Prismacolor pencils by their names and numbers. She used Strathmore colored pencil paper, which has a bit of tooth compared to the Canson XL bristol I used. My paper is very smooth, and the difference of tooth / no tooth becomes apparent by the end. I completed the shadow too soon, and think it would have been best completed closer to the end of the project. It would work better at grounding the apple.
I spent about 90 minutes doing this drawing. Altogether I am pleased with the results.
Pears are a wonderful study in any medium! If you have one in front of you, you get to eat it after you paint or draw it. How nice is that?
Sometimes I have too much fun making up titles for my posts!
This is a colored pencil exercise I did, just because. I used the more highly textured side of a piece of Mi Teintes pastel paper, choosing a rather grey paper with threads of darker grey running through it. I drew the cherry blossoms on with a graphite pencil and then laid down a rather heavy layer of whites, greens and brown for the blossoms, leaves, and branch. From there, more colors, burnishing and blending. Finally, I scribbled in a turquoise background, followed by layers of blues and lighter colors as well.
Initially, I decided to use a tortillon to blend the background colors, attempting to emulate the bokeh one sees in photographs. Bokeh is a wonderful bit of photography at times, achieved either via the lens itself, or distance between the object in focus and the next object behind the primary one. To blur colored pencil requires a lot of pencil color and a bit of elbow grease. Not quite what you would get when blending pastels.
Never having done it, but interested in the effect, I took a small amount of odorless mineral spirits, a soft brush, and began to blend the colors in the background. Where there were heavier layers, the colors blurred and blended more readily. I waited for the mineral spirits to evaporate and then added more color. More blending, this time painting around the cherry blossoms and branch with the loosened pigment. More drying. Finally, a bit of blending – very little, with a very light touch – of the leaves and blossoms. To complete the drawing, sharp colored pencils were used to enhance the branches and yellow pollen in the center of the blossoms.
I decided to try bokeh in colored pencil as I think that is what my teacher said we will be doing in our class Thursday morning, as well as drawing on black paper. This was a fun exercise and like everything, doing equates learning and understanding. Let’s see what Thursday class will bring . . .
Nothing like learning a few things! I’ve drawn with colored pencils on a very causal basis, but what I learned today included: use of Saral, a waxy transfer paper; use of burnishing and blending pencils. Never heard of those before today, but used all three.
Where to begin? I got there 30 minutes late – I thought class began at 9:30 but, no, 9:00. Oh, well.
Subject was a rose. Place the Saral between the picture you are going to use as reference and the paper you are going to draw upon – like carbon paper. Press hard to be sure it is on the drawing surface. Then, remove the Saral, and use a rubber eraser to blot the lines. This lightens them so you can still see them, but not so dark they are obvious. The paper we used had a bit of tooth, to catch the colors, and we worked from light to dark, white to reds and pinks and into the greens of the leaves. The suggestion was to moosh up a background to keep the rose from floating in space, so I did.
When I got home, I was interested in trying my hand on different papers. I have some bristol paper, which is a very smooth and very white paper.
This paper is so, so smooth that it is actually slick. As a result, colors are blended into one another very easily. I think the Prismacolor Premier pencils may be too soft for this paper and a harder, oil-based pencils, such as Polychromos, may be better suited for bristol.
The next experiment was done on some of my MiTeintes pastel paper; here, a mid-blue. I sketched directly onto the paper, using a very pale yellow pencil to create the general shapes as well as limn in the lights and darks. I decided to look at values the best I could, as well as whether they values tended toward warm or cold. The sunlight was dappled on the leaves, with some bright yellow green, and other a deep, blue-green tending toward black.
Out of all of these, I like the galangal the best. I like it because I had gotten a better sense of how to use the colored pencils, learning some of their characteristics and qualities. The blue background adds to the picture. The light and dark colors worked pretty well, and remembering to use complementary colors to dull down shadow areas I think kept the vibrancy. So, for a yellow-green leaf, the shadow colors were a purplish red, or a layer or two of each.
I don’t know if colored pencils will become a big love in my life, but I do enjoy drawing. My Pencil Portrait class was a real joy. I think I learned a lot in it, and moving to colored pencils is interesting. Shades of grey in graphite now are translated (or attempted to be translated) into values in color – something that is very, very challenging for me.