Another adventure in negative painting. As I have mentioned earlier, trees are a very good way to practice negative painting.
Here, I painted around the white trunks, and then more tinted trunks. I couldn’t find myself getting rigidly graphic with this, and just did a splish-splash approach. I also think I did a fairly decent job of moving from a dark, shady forest floor to a more sunlit canopy.
In the end, I used some white gouache, too, and rather like the vibrational energy of it all.
If you have been following me for a bit, you know that I have enrolled in a lot of painting classes. This is a study from my watercolor class, online with Andy Evansen. His work covers a lot of subjects, but I like his ones of the natural world the best. So, lazy me, I stick with his photos of the wilds, but will, at some point, take the dive and do something with buildings and people, and maybe even cars.
I used frisket to create the hard edges of the birch trees and the snowy areas of the logs in the foreground. The other white areas, the snow, is plain paper, no frisket. After the frisket dried, I did the sky, sunlit mountain, and dark background. Then, a bit of the foreground. Finally, the frisket was removed.
When the frisket was gone, I worked left to right, creating the shadows of the birch trees. Upon those shapes I added heavier paint to create the blacks characteristic of birch trunks. Various other details got worked in. White gouache came in handy to clean up some of the birch tree trunks as well as to create the fine branches of the trees toward the top of the painting.
The only thing I have some issues with is the very large birch tree on the right, the one which stretches top to bottom. It is not quite right, but that is something for correcting later on. Despite that, I am pleased with what I am learning, and creating, with all these classes. Painting and drawing and artwork is in the forefront of my mind these days, and it is beginning to show in more “successful” paintings from my viewpoint.
9×12 CP 140# Arches paper; primarily watercolor with a touch or two of gouache. (Maybe 3 or 4 or more….)
I have been trying to work with thin washes to lay in color, moving into negative painting – such as around the birch trees – and building the painting from there. I used different color mixtures to suggest the birch’s black areas on the trunk, and then used the darkest color I could mix to create some outlines for the trunks.
Watercolor is such an unpredictable, but somewhat predictable, medium that it can drive you crazy and fill you with delight.
More work with wet-in-wet, this time accompanied by using frisket to keep the areas of the birch trees white, and to keep a few other bits white, too. First step was to paint the sky across the trees, then the orange bracken and other foliage. From there – just a few details, some negative painting, and so on. I think there could be more contrast on the birch trees, but stopped to keep myself from overworking it.