183. White & Blue Flowers

After a lot of watercoloring, picking up a pen and using ink to draw feels really relaxing.  Adding watercolor to a pen drawing doesn’t need a lot of color, but it does require a bit of thought about light and shadow.

I thought about a daisy study of Peter Sheeler’s on YouTube – I remembered how very little color he added to his ink drawing of the daisy.  With this in  mind, I put in some greys and grey-blues.  I tried to apply the same concept to the blue flowers (which I want to call cornflowers, but don’t think they are), and to the grasses and leaves.  Below is my ink drawing, done freehand without a pencil sketch beforehand.  I am rather pleased with both – my inking skills are improving, as, perhaps, are my watercoloring skills.  Less is more has become more of motto than before!

111. Blue Shutters

The other day I was trying to paint a something-or-other, and realized I had no idea how to paint something to suggest it, rather than give all the gory details.  It may have been yesterday’s rocky cliffs.  In particular, I started to think about buildings and windows.  Stucco – brick – stone – how to express it without excess?

I decided lets start with just windows.  Here is one set deep into a stucco building.  I had to look at the shutters, the shadows, the casement, the small details such as hinges and cracks in the wood, as well as the shadows between the louvers.