Well . . . I got tired of pen, ink, watercolor. Watercolor just wasn’t in my head, so I dug out my gouache paints. They were rather fuzzy from mold – typical of gouache if you don’t use them often enough – so, I rinsed them off, and went to work. I really like the photo I took of these trees but did not like my earlier efforts.
I started out so klutzy – like, how do I use my colors? order or painting? All the usual stuff that goes with not doing something for awhile. The result is far better than I thought it would be!
One of the nicest things about spending 2-3 nights at a place is that you get to explore. Independence, CA, is along Hwy 395 and is a town you would zip right by if your weren’t staying there. However, you really can miss a few things!
We stayed at the Winnedumah Hotel, in a room at the back. Out the door and down the road a few blocks is the local museum, and although it was closed the days we were there, we plan to go back. Outside the museum is a rather wonderful native plant garden. It faces west, so it is in the shadow of the Eastern Sierras. There is a creek running through it, complete with trickling water. Winter rains swell it and it obviously flows over its banks.
The sandy shore and rocky bottom depicted here create a dry wash. In canyon country these smooth areas are tempting for campers because the smooth soil makes pitching a tent and sleeping bag comfortable and easy, but if a rain happens upstream, a flash flood creates a swirling death trap. Even locally – where I live – people are drawn to these washes in the rainy season (if there still is one . . . ) and get washed away in the event. I had a wonderful friend who died in such a flash flood because the ground he was standing on probably got abruptly eroded from underneath. Even peaceful streams need to be treated with respect.
Even though our trip was stopped by Covid-19, I did get a number of photos along the way. Olancha, CA, is one of those little towns without a lot of amenities, but big in different ways. Here are some – and were some – nice little restaurants that provide comfort to the hungry and a much-needed break from the car. Little dirt roads catch the eye, and trees and houses break up the flat land leading to the grandeur of the Eastern Sierra Nevadas. So, even though my trip was canceled, I d intend to create sketches of what I saw along the way . . .
Another attempt at acrylic painting. This time I used a sheet from a Fredrix linen pad. I gessoed it and then used, initially, the Open medium with the paints, but I didn’t like the way it was working, and so switched to regular matte medium to dilute the paints. I tried to use the paints fairly straight out of the tube, blending with white and matte medium. The result was a fairly thick paint that behaved well.
The Carpinteria Bluffs are located in the southernmost section of Santa Barbara County, just above the border of Ventura County, where I currently live. Carpinteria was home for many years and always enjoy returning, especially in summer when the light shifts and everything has a glow of its own. Eucalyptus trees and other plant life make for a wonderful walk along the cliffs above the Pacific, and across the Santa Barbara Channel are the various islands that make up the Channel Island National Park. This might be San Miguel Island, but I can never remember which one is which!
While we have not had much rain this year, the countryside still has fields of wildflowers, mostly lupines and poppies.
Today, I decided to just paint, not think too much, to see if I could get a good sense of value. I did a couple of paintings. I used hot press paper, whereas I normally use cold press when I paint. I tried two different brands, and the Arches won out.
California is filled with open space and ranchlands; in fact, according to the US Department of Agriculture:
Over a third of the country’s vegetables and two-thirds of the country’s fruits and nuts are grown in California. California is the leading US state for cash farm receipts, accounting for over 13 percent of the nation’s total agricultural value.
So, California is far more than rich people, Los Angeles, and movie stars. Where I live, agriculture is a major industry. It is around little towns and large suburban areas that you find ranches, for flowers, avocados, citrus, strawberries, and vegetables. Here, a view of a ranch in Santa Paula, taken from a train ride several years ago. The original photo is below.
Since I had all the pastels out from Tuesday’s class, before I straightened up the mess in the studio, I decided on another study. This time, the oak-covered hills of California. In spring, the hills are brilliantly green, often covered with wildflowers, such as poppies and lupines. As spring gives way to summer, the heat comes, and the grasses dry out. Perfect conditions for all these dreadful wildfires of late . . . Anyway, the coast can be socked in with the summer fog, but inland, the hills are under the brilliant sun. As you look toward the Pacific, you can see the “fog monster” lurking on the other side of the range.
I opened up a pad of 9×12 CP Arches and have been having fun all morning. Yesterday was a step back into the world of watercolor, and today was simply a play day to try out a few techniques. In particular, working with less water on the brush than I normally do. This is an effort to have a bit more control of the pigment on paper. Let’s take a look!
The above painting was the first one. Really a disaster! But it served as a warm-up project. In and of itself it is not awful insofar as I worked with less water from the beginning. This let me make bolder strokes as well as glazes and some wet-in-wet. The sky was my first attempt to work a rather loose sky with a much dryer brush than my norm. I worked more color into varying areas of the sky, blotting my brush on a towel before picking up the pigment.
Again, the sky was a focal point in this painting. I chose to use a yellow tinged with alizarin, diluting the pigments extensively. From there, I dried off my brush and applied the colors. The same technique with the blues. Some blending, but the result is quite what I hoped to achieve. This same dryer-brush approach was used for the foreground and middle ground, as well as for the trees. Rather pleased with this one all around.
More dryer brush work but with the addition of glazes. This lagoon was a bit more challenging as the low tide leaves behind rivulets between the miniature sand bars. My feeling about this one is rather mixed, but I think it is more because it is outside my comfort zone.
Dryer brush, glazes. These dry California hills are really monochromatic. Browns and variations thereof. Yawn! The mountains I redid after the painting was done – too pale. Sadly, I messed them up a bit.
This morning’s work was well worth doing. I spent about 3 hours altogether and took the time to think after the first painting. Warming up is a good exercise as it reconnects me to what I want to do. Practice is never perfect but it is essential to any skill.
You could spend your life exploring and drawing and painting Pt. Lobos in the Monterey area. Here is a quick study in pastels. This was a particularly difficult one to do because of the nature of the medium – messy and full of fine dust!
The distant cliffs across the waters are seen through the trees. Unlike gouache, you cannot paint over layers as successfully in pastels. More layers mean less success, even when you use a workable fixative. In watercolor masking can help as well as the fact you work from light to dark, so darker watercolor can obscure lighter washes.
In the end, the sky was a messy mush up weirdness – the white scribbles were my solution to the problem, but oddly, it did help out in the end. The sky was a flat grey, and here it gives the same flatness of color that morning.