This is a pretty small painting – but most gouache paintings are as the medium almost seems to demand it. After the disastrous flowers of the other day, the feeling of overworking my paints, I decided to simplify. Yesterday’s beach scene is a good example of simplification. And today is a bit more complex of a painting, but it is still simplified.
To simplify things, I looked at the big areas. This meant the sand in the foreground, the sky, and the masses which make up the middle ground, both light and dark. Those were laid in first. From there, more details in a middle stage, and final details – the small stuff – were done. This also matched the brushes I used – big to medium to small. “The Three Bears” and the Goldilocks effect.
I also was a lot calmer when I did this painting, and I was in the studio, not in 85F weather with a steady breeze to dry out my paints and raise my temper! Lesson learned there.
I have been busy sewing masks for friends and family, and it’s been a slow process, taking a lot of time. However, I am back to my determination to paint or draw something every day, either in the morning or in the afternoon. As I had an appointment this morning, I used this rainy, rainy afternoon to paint the Goleta Slough. Or part of it. Generally speaking, I rather like it – all those little dabs of white, grey, and black are seagulls and other critters. The sand jutting out needs to be fixed – seems like it is riding upward or something, but …. ?
I took a lot of photos – digital, film – while on vacation in Monterey, California. Trees, flowers, streets, room. This is what I saw along the trail at Whalers Cove in Pt. Lobos, California. The cliffs are sandy and crumbly, but there are bits of very dark dirt, from black to grey. I wonder if this area had volcanic activity at some point. The color contrast of the soil and cliffs, along with the tenacious hold of the flowers, made for some rather lovely bits of bright color in late summer.