From the Roadside

How many times I have driven through the wild country of the US, stopped on the roadside just to gaze at the land around me? When I lived in Colorado, I did this whenever I could. I do it here, too, in California, and whenever we take a driving trip through wild and lonesome country. Life here can be harsh and isolated, but can you imagine yourself on horseback (I do!) and slowly traversing these wild and open places?

More winter, more gouache. A limited palette of white, phthalo blue and green, ultramarine blue, a bit of red, and black and purple.

Under a Summer Sky

More Pointillism!

This painting was done on a larger sheet of paper than my earlier ones as my sketch book was filled and finished with the painting of the other day. I began with a thin wash of gouache, putting in the basic colors of the sky, fields, house and trees. From there, I began the dots. And more dots. And even more dots. Paint went from thin to thick, and thin again. Dots were bigger and smaller. The closer I came to the completion of the painting, the more I began to use the paint to shape the different areas of the subject. I tried to use some complementary colors in shadows, such as red in the shadows of the trees, and bright yellow to enliven the lavender. Altogether, this painting took about 3-4 hours to complete (I lost track of time), but in the end, the dots were worth the effort.

I think I could live here.

North Country

Hard to believe it’s been two weeks or so since I was last online.

Life has been busy, but in reality, the weather has been awful! We have had a heat wave that knackers you – 100+ F, and even worse further inland. Temps have ranged from 95-111 in the vicinity where I live (35-43C). Ugh. As a result, blobdom has reigned as the primary mode of existence and, sadly, some binge watching on the TV in the air-conditioned house. I guess we all have to do it.

Despite that, I have met with a pencil portrait group in a local park and have enjoyed those mornings. I have also done some sewing. And mice chasing, but no catching. Today I cleaned up the mess I call a studio.

And finally, I have sat down to paint. I wanted scudding clouds and changing light – movement from bright to dark across the hills and the sky. Wind, too. Anything to cool off.

Storm Above the Pedernal

Another painting on the reverse of another, again employing dampening the paper before commencing. More hake brush wet-in-wet. I wanted to catch the brilliance of the land beneath the storm as spots of sunshine break through a fast moving storm. In the Southwest, this is common and exciting to see – sometimes the landscape shifts in seconds.

Incoming Storm

Another watercolor, mostly wet-in-wet, but I ended up doing a lot more details in dry brush as the painting progressed. Finally, I applied some glazes in an attempt to unify different sections as I had overworked the painting quite a bit. The even spacing of the brush / trees in the lower middle ground are rather amusing, too – didn’t I look? I didn’t really notice them until I scanned the painting!

Storm Over the Wetlands

Water and sky are the major themes these days.  I really like them anyway, but have to work on reflections in particular.  For instance, along the banks, the reflection of reeds is very important, as in the distant water / tree line.  I try to be simple in my approach and perhaps a bit less dramatic or intense in my colors, but that seems to be really hard for me to achieve!  I had a lot of fun with this painting, though, and am rather pleased with its outcome despite the fact it is not quite what I envisioned.  But, it does catch that peculiar storm light, I think.

Reflections on a Still Day

Today is a calm, slightly muggy day.  Where I live, no open water running through a flat land, few clouds.  Instead, there are mountains and the little bit of green we get with spring rains is giving way to brown.  Much as I love where I live, and find its austerity beautiful, I also crave wet, hot days.  This will have to do.