I haven’t picked up a brush in weeks. I did an ink and watercolor sketch a few days ago, but no painting of any sort. Life got in the way, as well as other interests needing a lot of time – photography in this case. Now I hope to get back to daily painting because I miss it!
The other day, I was out and about. Looking down, I saw some bright pink daisies in the sun, falling over the cobbled pavement of the street. Hmmm, let’s paint ’em!
And so I did.
Up front, I use Pixabay frequently for their fine, royalty-free photos, whether as inspiration, or as an image to be painted. Here, I used an image of a loch (found under the search term “loch” – how clever!). I loved the vantage point and tried to catch it.
Here, the sense of being up above the rest of the world, in a field of flowers, on a beautiful day, is so well done in this photo, I just had to be there myself. Scotland is one of those countries that is mystical and magical, and views like this only touch the tip of its beauty.
The daisies were especially challenging – so bright and white! Negative painting and thin washes hopefully express them fairly well. The DOF was another challenge, and it is a natural tendency to not leave well enough alone . . .
Today has been a day of frustrations. Nothing seems to be going right. Everyone has those days, yeah, I know, but I rather other people have them, not me! But, they do serve a purpose in that they do make you realize … something.
That said, let’s get on to the negative painting scene. It is not easy. I think to create a painting like this, practice and experience play an important part. Practice is what I keep doing. And then I reach a point where I am just irritated beyond measure, and need to break loose. I’ll come back to practice, but by nature, I am a gaudy color lover, and having a monochrome study makes me feel trapped. I wonder if others feel the same way. So, pink daisies, a la the hydrangea, and I am ready to go nuts. Here they are – the first round.
And then the second one from this morning . . .
Some success. And then I did the third layer . . . and had to just mess with it as I was ready to scream. Part of it was just frustration in that I didn’t really like this process at all. Maybe it’s not for me. In the end, just playing with some colors on my palette, some which I just recently got. It was a total color mess – so lines were added. It’s sort of cheery, but it also reminds me of what I cannot do.
The good news, no mud. It’s kind of fun. But I also know what I want to accomplish, and doing this stuff is not going to get me there. The colors are fun, and good practice, but I also know that my impatience and scatterbrained-ness don’t help me, either. Ongoing practice will improve my skills, I hope. So, I keep playing.
A part of me wonders if / when I reach my desired “look” if I will become extremely boring to myself.
The second card in a series for my sister-in-law’s Christmas present. I used Peter Sheeler’s demonstration (below). I love his lines and color! Copying his style is teaching me a lot about simple color use, powerful lines, and particularly compositional elements I haven’t considered at all.
What I learned in this video was how to portray dappled lighting. This gives character and depth to white petals. What do you think?