There are days which are blustery and cold, the wind whipping through your hair, and a walk on the beach, slogging through sand, and enjoying the wild freshness of the sea is not a bad way to begin a new year!
I enjoy gouache a lot because you can rework places and easily blur edges to soften them. That is a lot harder in acrylics. I decided to give it a shot. It worked rather well for the sky, but like gouache, the whites in the clouds darkened more than I thought they would. On the other hand, I did work on the sand a bit, using very thin water glazes for the shadows. That worked out pretty well.
I realize the key to “getting” acrylic painting is to just keep doing it, experimenting, trying. Each painting, successful or not, is a lesson.
Southern beaches, from the Carolinas around Florida and along the Gulf of Mexico coast, have a quality very unlike that of California or New England. Soft white sand, beaches beautifully wide and flat, sea oats, and dunes that catch the breath. The sky is vast and expansive, clouds build up, and there is something grander than can be described. I am trying to capture this, from reality and from imagination.
If you have noticed, over the past several months my paintings, in pastel, gouache, and watercolor, have been centered on the theme of water. Rivers, ocean, lakes. I am beginning to feel comfortable with water now, and it is time to expand the subject matter. Now, simple buildings are going to be included, and sand. Sand is remarkably hard to paint! It varies from dark beige-brown to incredibly bright and white. There is also black sand, but I’m not there yet!
Today’s painting is a church, tucked in the dunes of some coastal island. Sandy, dirt roads run between dunes with scrubby vegetation. It works.