A cloud study, light from the right. This makes me think of a sunset more than a sunrise . . . It was really a challenge to get them to look balanced in color and shape. Unless you paint, it’s not easy to explain. The nice thing about gouache is that you can paint over what you don’t like.
Where I live, a building is a house surrounded by the rest of suburbia. I don’t live in a city. I don’t live in the country. Sometimes I wish I could transport myself to someplace so very different than where I live now. That said, one can travel in one’s imagination, and that is what I have chosen to do here – a street in the early evening somewhere in a gracious part of an old city.
While this is not a perfect painting, I did have some goals in mind while painting “buildings” for the #WorldWatercolorMonth2019 prompt. One was to really work on perspective. It’s pretty well nailed here. Another was negative painting – keep some paper white. Here, the chimneys up in the sun. I wanted details to show perspective – the closer to the viewer, the more details, as can be seen the closer to the right the buildings become. A lack of detail to show there is distance. Finally, I wanted to use light glazes to designate where the sun is on the upper buildings, and not on the lower part. Here, light quinacridone gold on top, light cobalt on the bottom. I rather like the way the street is striped in shades from dark to light, but as to whether it is realistic is not a question I care to answer. In general, I think the sketchy elements of the watercolor work well with the colors and lines to convey feeling and mood.
For “buildings” I knew I wanted a loose, light painting. This one is on a small sheet of paper, and I expect the final image is about 6×8 inches (could measure, don’t feel like it!). I used both small and large brushes, a bit of imagination, a bi of memory of previous reads on perspective. I found the most interesting thing I did was to do the sky last! I really think it works well with most o the painting.