In spring, bright new greens fill the world. In summer, greens are darker, interspersed with flowering crops and wild flowers. Color is everywhere, but all dotting a verdant landscape. In brilliant sun, the greens shimmer, but under the electric sky of a thunderstorm, the sudden bursts of sunlight render greens into a strange intensity . . .
“Glorious Green” – prompt #29 – #WorldWatercolorMonth2019.
Living in a “Mediterranean” climate means living in a dry, temperate climate. Locally, we have a number of olive orchards which produce local oils that are tasty and delicious. Here is a tribute to them.
Besides commercial uses, olive trees are often used as decorative trees in one’s yard as they do require a lot of upkeep in terms of water – but the downside is a messy yard as the olives drop. Most people never consider using the olive fruit for anything at all.
I tried to simplify everything in this painting – trunks, field, crown of trees. At the same time, I tried to work on contrast and failed overall. It’s really a talent to get something dark enough on the first take! The trees on the left look like one in the foreground in overlapped by the leaves of the one further distant. And so on. However, getting out the paints every day is the goal, and practice, not making a “completed” painting is the whole point.
Up the coast a way is a town known for its flower farms – a big industry locally. The climate is varied, so a lot of different flowers may be grown, both for florists as well as seed. Agriculture isn’t all cows and Brussel sprouts!
This was a fun study – I did a lot of lines as a practice exercise (I forget about lines because I have color to use – in ink painting it is so much about lines) and decided to focus on lines as the raison d’être for the painting. Wet lines, dry-brush lines, wash and lines, wet on dry, dry on wet, etc. Dots, too.