101. Field of Flowers

Up the coast a way is a town known for its flower farms – a big industry locally.  The climate is varied, so a lot of different flowers may be grown, both for florists as well as seed.  Agriculture isn’t all cows and Brussel sprouts!

This was a fun study – I did a lot of lines as a practice exercise (I forget about lines because I have color to use – in ink painting it is so much about lines) and decided to focus on lines as the raison d’être for the painting.  Wet lines, dry-brush lines, wash and lines, wet on dry, dry on wet, etc.  Dots, too.

 

74. English Lavender

I guess I’m a hippie – you know, “flower power” and all that stuff.

The fact is, I love flowers and want to have a flower garden again.  And a vegetable garden.  As retirement approaches, it look more of a reality than before.  And as our backyard gets cleared out, too, that will help.

So, today’s sketch is really last night’s sketch.  I went out with my tablet of tan paper and took a look.  Almost all green except for the lavender plant.  I used ink for the initial drawing and then Derwent’s InkTense colors.  Then, for the ones on the left, I just painted to see which looked better – pen and color, or just plain color.

73. Penstemon

Penstemons are simple flowers – tall, elegant, plain – with an incredibly beautiful red-orange flower.  They are another one I photographed last weekend at the botanical garden.  Maybe today I’ll venture out to the cactus garden to see what blossoms may be up there!

Here, I decided simply on using a brush, a stiffer one than a red sable, to focus on how the brush responds to pressure, paint, and amount of water.

53. Watercolor Pencil Studies

Even though I am trying to be a good patient and wear my splints all the time, it just isn’t possible.  I am still limping around, too, so I am not doing much hiking as my knee still hurts from the fall.  Rather, I am on the patio in the warm afternoon sun, away from those dangerous dogs!  I had a few pictures, a bit of imagination, and some watercolor pencils.  I decided to try them out in some rather different ways to learn how to better use them.

Above is a Black Phoebe.  They live in the trees around here.  Their feathers are darker om the head, and their faces are not quite so fat.  I tried to get in line detail and then used a fine  brush.  Darkest blacks were from an ink brush.

Next, just a simple Japanese maple leaf, no lines, only pencil and water.  I laid it on pretty thick, but it is still paler than what I would like to see.

Finally, Queen Anne’s Lace.  Here I wanted to draw into negative space, so what better subject than white flowers?  I used ink, and for the paler flowers in the background, I dipped my brush in water and took color off the pencil tips before painting onto the paper.

33.1 Bee & Borage – First Colors

I did this first layer of colors in the gloom of the evening, after work.  I was tired but had played out some of the painting earlier in the day in between whatever I was doing.  I used a small brush and deliberately tried – and will continue to try – a delicate approach.  Both the bee and the borage have a lot of fine hairs which I want to express and preserve.  Looking at the scan shows a need for contrast in the center of the flower, along with on the bee’s back, behind the eyes.  In these areas, I will be working on glazes to create better contrast, and I hope a better sense of depth.  As it stands now, the whole painting is rather flat and nondimensional to my eye.