A couple of weeks ago I took a photo of loquats, not really ready to be eaten, but certainly not too much sooner!
The loquat is a fruit tree indigenous to southeastern China. It is frequently grown in California gardens for its fruit and decorative qualities. The fruit is a pale yellow to a golden color, and the leaves are stiff and dark green. The contrast of the roundish fruit with the wide, pointy leaves makes for an interesting painting subject.
The photo from which the drawing evolved:
Painting the loquat has a bit of cross-cultural history behind it, too; ink painting tradition honors the loquat in Asia.
It would be easy enough to paint a loquat in watercolors, without ink, as well.
Plums are appearing in the markets, and they are great to eat out of hand and to paint. I used Hansa Yellow, Cobalt Teal, and this time, Lamp Black to see how it would work with the other two colors. No reds in this triad.
In keeping with yesterday’s theme, more three-color studies. Here, again, Quin Gold and Cobalt Teal, but this time I used Quin Rose for the red.
Fruit is the best as it doesn’t wiggle around, and you can eat it later!
Going through a period of disliking much of what I have been doing, it occurred to me that in addition to simplifying color detail, maybe it would also be a good idea to simplify my palette of colors.
Here, apples in a primary triad of sorts: Quin Gold, Cobalt Teal, and Permanent Alizarin Crimson.
I was quite surprised at how deep I could get the shadows using the alizarin and teal, as well as how delicate the pale shades could be. A bit overworked, too, but the lessons are sinking in if I am lucky!