I started this painting some time ago, got distracted, and forgot about it. While looking for paper yesterday, I came across it and decided it would need to be finished up. It got abandoned, really, as it did not seem to be working out when I put it aside.
I enjoy watching videos on YouTube to see how other people paint or do things. This study is based on a video by Lena Rivo, a gouache artist I quite admire.
Roses are also a part of my own gardening – I have a number in bloom right now, although this year they seem a bit off . . . Nonetheless, painted or in bouquets or in the garden, roses are a delight to nearly all of us!
Double Delight is one of the loveliest roses, both in fragrance and looks. I think it is a hybrid tea rose. It is a generous bloomer and pleases anyone who likes roses.
This morning was the last day of our Pencil Portraits in the Park class, and it was sad and fun and productive. Hopefully our teacher will offer it again. As we are outdoors and all vaccinated, most of us go maskless. In the classroom, two hours of wearing masks would not be fun.
After class, a trip to the store and then home for lunch, a nap, afternoon coffee, and continuing the repeating of my following along with Lena Rivo in her “Color Mastery Essentials” class. For this study, she wants the student to see how things are done – give an overview to the novice – but as I have already a bit of experience, I followed, paused the video, painted, backtracked, and so on.
My study is not particularly elegant or well done, but the experience is what was important. I know more about color mixing, but the lessons also mentioned mixing the gouache directly on the paper, painting the main subjects first (guess what they were!), doing the shadows, and then painting the negative space – the background – around them. From there, refinement, such as stems, fixing shapes, etc. I decided to add some prints to the tablecloth in colors I had left on my palette, and rather like the way it pulled everything together a bit.
To be continued . . .
Awhile back I enrolled in an online class offered by a gouache artist, Lena Rivo, whose work I admire. The class is called “Color Mastery Essntials” and I have found it to be such a pleasure.
I have been painting with gouache since around 2019, and the first task was to get comfortable with the medium, learning its quirks. Every medium needs a level of study that comes simply through experience, and then, once experience is gained, refinement of that experience. Lena Rivo can be found on YouTube, painting in oils, acrylics, and gouache. Her style is simple, her colors are very clean and vibrant. Because mud is my middle name, I thought her class would be worth a try.
Was it? Most definitely. I have gone through nearly all the modules, and am doing them another time. This one is what caught my attention today – value. I really don’t see value but with the exercises in her class, values are becoming more and more visible. The above exercise was about values. The light colors of the fish contrast sharply with one another, some being darker and others being lighter than the water. Besides value, the question is what temperature do you see within the values? Warm? Cold? I never really thought about things this way.
If you want to see Lena Rivo’s work on YouTube, click here, and for her website, click here. There are free downloads about how to improve your art and an excellent guide for painting with gouache. A gallery of her work is eye candy, filled with beautiful colors. Flowers, people. landscapes, the sea and more are all represented here. You can also find links to her courses.
I won’t go into too many details of the class I enrolled in, as it is her class, but I will say I do recommend it. It is clear and logical, moving from simple to more complex. Topics covered include how to keep your colors vibrant, even in shadows, how to evaluate light and dark, and steps to take to evaluate what you see to create your own, original painting.
In all honesty, I tend to be skeptical about online learning, mostly because live online learning can be very poorly done. The same with a class that is prepared and self-paced by the student. Lena Rivo’s class is not dull, it is interesting, and full of important details that don’t overwhelm. Each lesson builds on the previous, and repeating modules effects learning more with each round.
I plan on continuing to repeat what I’ve already covered because I am seeing it again, with new and more experienced eyes.
Today it is still cold! I went out with my drawing class early this morning – 53F! (Laugh if you want – but that is really unusually cold where I live.) The sun came out and warmed us up, but I still felt the chill when I got home. A hot lunch started to thaw my chilly bones – so let’s consider that Spring is around the corner, and the thaw begins with running creeks.
I should have gone to my Pencil Portraits class . . . but it was raining and cold and it’s outdoors. I’m a wuss, enjoying snow and ice from a distance. Thus, biting cold, frost, and snow fog. Wander along the road, beneath the trees, and remain in my snug house with a cup of cocoa and blues a-playing in the background. Not a rough life.
For some reason the winter and snow scenes of Maurice Utrillo were wandering through my mind when I was painting this. Yes, he painted urban winter scenes, but I don’t think that really matters. What I saw here was the brushwork, a scumbling to blend colors, which I think of when I see his paintings.
Initially my idea was to attempt a pointillistic painting, but the subject matter really doesn’t lend itself to dots. What I did was to lay down dots, as in pointillism, and then work them into each other for color gradation, textures, and mood.
If I am to be honest, I am really pleased with this painting! I hope you enjoy it, too.
Another winter day . . . snow, sunrise, warm and cold. Pointillism once more.
This time I laid in the background color, such as the blue of the sky merging into the gold of the horizon, blending them together with white. the same with the diagonal hedgerow and foreground snow. After that, I used a tiny, tiny brush, soft to the touch, and filled it with gouache paint I thinned down a lot.
The time to complete this painting was easily 2-3 hours (with time out for lunch and a nap, of course!). I think the color gradation, especially in the sky, has worked well with the usage of small points of color. I also tried to make the middle ground snow cooler and greyer than the foreground snow.
Ahhhh! It feels so good to paint!
How many times I have driven through the wild country of the US, stopped on the roadside just to gaze at the land around me? When I lived in Colorado, I did this whenever I could. I do it here, too, in California, and whenever we take a driving trip through wild and lonesome country. Life here can be harsh and isolated, but can you imagine yourself on horseback (I do!) and slowly traversing these wild and open places?
More winter, more gouache. A limited palette of white, phthalo blue and green, ultramarine blue, a bit of red, and black and purple.