146. Inktober #31: Slice

Okay!  Today is Halloween, a day of gore and horror.  Inktober is not making this a “safe” subject for today, either – SLICE!  Really?  You can get pretty gruesome with that one.

So, with a hail to famous or infamous quotes, a slur on red velvet cake (which I dislike intensely), I bring you a slice of history, a slice of cake, a slice of the macabre, a slice of my own sick sense of humor, and best wishes for a fun and scary Halloween.

143. Inktober 25: Prickly

Today I present you with the teasel.  These plants were once harvested to make carding brushes for wool.  They were mounted on wooden boards when dried, and the wool was placed between the carders, and combed  or brushed back and forth until the clean wool was aligned, ready to be spun.

After I initially posted the ink-only drawing, I decided to play once more with the InkTense pencils.  This time I mixed colors together, such as a red-violet and a blue to make the lavenders of the flowers, and yellows and greens and browns in different areas before applying a small amount of water with a water brush.  I’m not sure if I am happy with the colored results, but you never know how something works until you try it, right?

142. Inktober #23: Muddy

Beds of dried, caked and cracked mud are fascinating.  Footprints in them are even better, or the mysterious sliding rocks found in Death Valley.  I looked at a lot of pictures of mud flats, and one thing I noticed were curves and angles as well as the way light bounces off their slightly uneven surfaces.

Here I used ink and water, specifically Private Reserve’s Copper Burst.  I have never considered using fountain pen ink as a painting medium, but it’s opened up my eye to its potential.

139. Inktober #22: Expensive

Hopefully, back on track with Inktober!  I’m not even going to try to do the ones I missed.

This is a combination of ink and Inktense pencils, which I haven’t really tried to any degree.  I started out with just a simple ink drawing, then I used the pencils, laying down pigment with different amounts – light and dark – to see how it would work to create tones.  It did a pretty good job, I think.  Certainly something to continue to play with.

Below is the ink drawing followed by the pre-wetted Inktense pencils.