Communities sometime just happen, and sometimes it takes the vision of an individual to make the community happen.
In this case, Charlie O’Shields has done both. He created Doodlewash, and from there, he has created World Watercolor Month.
This year I am going to try to do a painting every day in July for World Watercolor Month. In the past few weeks I’ve fallen off as I have veered into ink making and indigo dyeing. Now, time to return to a good daily habit. I think daily artwork is like brushing your teeth every day – it makes for a more pleasant start to the day!
I did Inktober for most of the month of October 2018, and it was a wonderful process, and in doing it I learned so much. Pen and ink is black and white and World Watercolor is with colors, in the form of gouache or watercolor – or probably any other water-based medium. I expect I will learn a lot by being focused on this as well. Because I am attempting to learn gouache and improve my poor watercolor skills, maybe I will alternate medium daily – like odds for gouache and evens for watercolor. What do you think?
Use the hashtag #WorldWatercolorMonth to draw people to your work if you participate.
Okay! Today is Halloween, a day of gore and horror. Inktober is not making this a “safe” subject for today, either – SLICE! Really? You can get pretty gruesome with that one.
So, with a hail to famous or infamous quotes, a slur on red velvet cake (which I dislike intensely), I bring you a slice of history, a slice of cake, a slice of the macabre, a slice of my own sick sense of humor, and best wishes for a fun and scary Halloween.
I thought of Edward Gorey as I was drawing line after line after line. He certainly was the master of the dark and macabre! I also used up one of my last permanent ink pens and need to shop for more . . . Inktober is expensive in the ink department.
Today I present you with the teasel. These plants were once harvested to make carding brushes for wool. They were mounted on wooden boards when dried, and the wool was placed between the carders, and combed or brushed back and forth until the clean wool was aligned, ready to be spun.
After I initially posted the ink-only drawing, I decided to play once more with the InkTense pencils. This time I mixed colors together, such as a red-violet and a blue to make the lavenders of the flowers, and yellows and greens and browns in different areas before applying a small amount of water with a water brush. I’m not sure if I am happy with the colored results, but you never know how something works until you try it, right?
Beds of dried, caked and cracked mud are fascinating. Footprints in them are even better, or the mysterious sliding rocks found in Death Valley. I looked at a lot of pictures of mud flats, and one thing I noticed were curves and angles as well as the way light bounces off their slightly uneven surfaces.
Here I used ink and water, specifically Private Reserve’s Copper Burst. I have never considered using fountain pen ink as a painting medium, but it’s opened up my eye to its potential.
Hopefully, back on track with Inktober! I’m not even going to try to do the ones I missed.
This is a combination of ink and Inktense pencils, which I haven’t really tried to any degree. I started out with just a simple ink drawing, then I used the pencils, laying down pigment with different amounts – light and dark – to see how it would work to create tones. It did a pretty good job, I think. Certainly something to continue to play with.
Below is the ink drawing followed by the pre-wetted Inktense pencils.
Inktober continues apace, but I have been going 100 mph for the past week. No time to focus on a theme. This morning, though, I thought about cold mountains and winter – where I live, it’s in the mid-80s to low-90s, and I could use a bit of blustery weather.
Here is a mountain – inky for Inktober
And here is the same scene, in cold and wintry colors.
I used to do a lot of Chinese painting, and I tried to incorporate the clouds in a rather Chinese-painting fashion, in ink and watercolor. Hints, not direct; subtlety rather than blatant. I’m not sure if it worked for the clouds between the mountains, but I definitely like the chilliness and fogginess of the scene overall.