A Lonely Road (Watercolor)

I decided to give A Lonely Road (Gouache) a try in watercolor as that was my original intention with the painting.

It was quite interesting to do so as I used the same paper I used for my gouache, but the paper had less tooth than my usual CP watercolor paper, being more like hot press, which is very smooth.  This was American Journey paper, which is very nice, and is somewhere between HP and CP for texture.  This makes a difference when painting with watercolors.

Once more I feel like my DOF is not working in watercolor.  I am not quite sure why, but it seems to be I lay down a color and then lay down more, and more, and even more for the distant objects.  Unlike gouache, watercolor’s transparency makes each succeeding layer darker.  At times a glaze of very thin color can pull a watercolor together, but not here.  The dark distant hills on the right suggest a spot of cloud shadow, and the brighter one on the left a bit of sunshine.  The sky suggests otherwise.  And it looks like there is a sleeping or dead sheep in the field on the right!

There are bits and pieces of this painting I like, and the colors really do evoke a rather damp day when autumn is beginning to set in.  The fact is, I find watercolor inherently more difficult than gouache simply because more pre-planning and strategizing than with gouache.  This why I enjoy watercolor so much – it is so hard!  The colors are just wonderful at times, and that is one of the joys of watercolor.  Gouache, while beautiful, when done with less water and thicker paint, doesn’t have some of the same light as watercolor

So, for the sake of comparison, I am lining up the value study and gouache from yesterday with today’s watercolor.  Click on the value study below to click through the three if you want to do some comparing.

Maybe a pastel should come along tomorrow?

 

A Lonely Coastline

Continuing my water and fog series, and my simplification attempts as well. Here, another deserted coastline, with a few birds.

What is it about a lonely beach? It’s spooky, it’s sad, it’s exciting, and quiet. If the sun is trying to break through, the warmth begins to disperse the fog. Hopeful. Sun. If it is heavy weather, the sky lowers and threatens. Cold. Damp. Dangerous.

Fluid paper, limited palette of ultramarine, sap and Hooker’s greens, burnt umber and raw sienna, and a bit of alizarin. Probably other colors, too – hard to remember where the brush wandered.