The other day I painted fields ready for this coming year’s crops. Today, up at the treeline, the edge of mountains and forest giving way to barren rock and scrub. Snow is still here, the air bites, and the beauty astounds.
Today I put together a new watercolor paint palette, adding some colors I normally don’t have on my main palette, as well as adding ones back that didn’t make it into the first one. This palette forces me to work harder to get greens as I don’t have phthalo green, sap green, or Hooker’s on it as “primary” greens; instead, I have viridian, which is not one I have been fond of in the past. However, it works nicely with cadmium lemon and aureolin to make those crazy spring greens I like. I also added manganese blue, verditer blue, and phthalo blue (green shade). I don’t have any yellow ochre or quinacridone colors, but do have Davy’s Grey and Peach Black. In the red arena I added transparent red oxide in place of light red, and cadmium orange as well. All of the earth tones – burnt and raw sienna and umber – are on this palette.
The result is looking to be a brighter series of colors to work with, at least that is my impression. I tried to use nearly every color in the palette on some level in this painting to see what would happen. As it was, I didn’t use every color! Too many!
The subject matter was also something that I wanted to work on – a small town with a few buildings at the base of a mountain range, and the goal was to have a road leading in to it, sloping down hill, and conveying a bit of depth. It’s a busy scene, one from my travels over the years that I caught on camera. Depth is not easy for me, so I used shadows across the road and landscape to catch a bit of it.
First watercolor of the New Year, and started with a New Year Palette!
How many times I have driven through the wild country of the US, stopped on the roadside just to gaze at the land around me? When I lived in Colorado, I did this whenever I could. I do it here, too, in California, and whenever we take a driving trip through wild and lonesome country. Life here can be harsh and isolated, but can you imagine yourself on horseback (I do!) and slowly traversing these wild and open places?
More winter, more gouache. A limited palette of white, phthalo blue and green, ultramarine blue, a bit of red, and black and purple.
It’s a pleasantly warm day today – bare feet and a nap on the patio kind of pleasant day. Still, I long for cold and gloomy weather, real winter weather. I know, I know – if I was living in the middle of it, I would think differently.
That said, a gouache in a more painterly manner than pointillism, up in the mountains somewhere, looking on to the distant dusting of snow. Gloom. Snow. Cold. Yeah! Don’t go wading in the river, either! Just enjoy it, and then return home to hot cider and a fire.
We live in an area with multiple mountain ranges, some which run parallel to the coast, and other which run perpendicular. As a result, the terrain and weather varies in each quite a lot. Here, a view of Mt. Boney in the spring, as a storm comes in. The wildflowers are in bloom and all is right with the world!
I have had a perfectly lovely day today! Went out on a short road trip, did some photography, ate a Croque Madame for lunch, and drove through beautiful back country here where I live. Josh came along, and we had a nice day out. Once home, a nap, some coffee, and then, at long last, the pastels came out from hibernation! The result is more rain (we get none, I want some!) as subject matter. As pastels lend themselves to blurring and blending, I decided to use a long stroke of a finger tip, moving at an angle from top to bottom, to suggest that fierce rain one sees in the high desert. Dark background and a sunlit foreground. So fun to do!
I tried to capture the sense of mist rising from a lake in the early morning. Dry brush seemed to be the best solution, but I think I sort of missed it (hahahaha). I used a square, flat brush, moving up and down and sideways. The thing is, it wasn’t really foggy and blurred, but rather defined in the image.
Feels good to be painting again!
Summer is not yet officially here, but the warmth, sun, birds, and wind all make me long for a quiet spot to sit and relax. No nothing except the sounds of the natural world. Here, all the things I love.
Or, maybe, The First Day of Spring?
I have been breaking out of my safety zone and moving on to using more expensive paper and larger sized sheets for painting. Also, another is to use a somewhat limited palette, working to create colors by mixing in different strengths and blends. Ultramarine and cobalt blues, burnt sienna and burnt umber, a dash of sap green. Other colors include a mix of cadmium yellow and red, and some of Daniel Smith’s Primatek Sodalite (a black) for the road.
As always, there seems to be a lack of depth in my painting, despite my efforts . . . or maybe the road is not properly proportioned for its curve?
There is nothing like knowing Spring is nearly here, and see hints of emerging from the snow.
Another study in Ultramarine Blue and Burnt Umber. These are really good colors for portraying cold and wintry conditions. Brr! Where I live, we have had weather in the 80s for much of January and February, so a break from the heat is much needed. Today, though, it’s a whopping 52 F.