71.1 Old Shack

I went out to lunch, so that is why interrupted the first part of this post.  And, there were a lot of pictures to look at.  Now, back from lunch, and awake from a 2-hour nap, here I am.

The next step was to put in the grasses on the lower and the left of the picture, and the trees in the background.  Shape and contrast were the goal.  The grasses, again, were straight lines with a bit of curve.  In the background, I used 3 different colored pencils, and drew small, tight circles to convey the thick foliage of the trees in the distance; this was repeated in front of the shack.  Longitudinal lines were used to create the direction of the fields.

Once the grasses, field, and foliage were put in, I used water.  Short straight strokes for the grass were done vertically, some blending into other grasses, too.  The trees in the distance on the left and right were next, being careful to work around the straight lines of the building.  The sloping fields to the left and right were worked with short brush strokes, to keep the colors isolated in some areas, and blended in another.  If you look on the right, you will see the fields are yellow, blends of yellow and browns, and finally, below the trees, varying shades of green.  Lastly, I worked the grasses in the foreground, top to bottom left to right.

 

Next?  The sky!

71. Old Shack

Pictures made with only watercolor pencils seem insipid to me.  The contrast is not strong enough to be interesting to my eye.

So, I decided to set out to make this a lie!  But, I started out by acknowledging that I would be using whatever means it took – pen, ink, watercolor paint, white pigment – to make the contrast I desire.

What I like about watercolor pencils is the fact you can draw with them, and they create lovely textures.  Working in conjunction with other media, I hope to create a picture I like.  I am using a 60-pencil set of Faber-Castell Albrecht Durer pencils.

I put down a pencil drawing, and then sketched in basic colors, and then wet them to blend.

The next step was a bit of a gamble – putting down darker values and colors as texture.  Some colors were overlaid with one another, such as the blue shadows on the shack.  This is what it looks like before the water is added to blend the colors.

When wetting the picture, I decided to do two things.  First, work light to dark – that is, wet the lighter areas and then the darker.  The second was to follow the direction of the pencil lines.  Between colors I tried to be sure to rinse off my brush, and to blot as necessary to keep the paper from getting too wet.  I am also trying my best to preserve my white areas.

Next, establishing the pattern of the grasses in the foreground.  Here, I worked in the light colors to the lower right side, where there are white areas.  I drew the lines in the direction of the grasses, including white pencil to lighten the overall colors of the yellows used.  The lines are seen below, followed by the application of the water.  I laid the lines of the grasses down with some pressure, the idea to make them more distinctive and for the color not to dissolve into a blur.

Here, as before, I used water in the lightest areas and then in the darker areas, following the pencil strokes.  The lighter areas I did horizontally, and the darker areas more vertically.

To be continued!