Another study of an Oregon coastline. Morning fog with a bit of sun breaking through.
I must admit, I am really pleased with how this painting turned out. It seems that returning to the scene (of the crime?) is helpful, as well as working in different media. I did this same scene in watercolor a bit ago, and I plan to do it in pastels as well.
Done on Arches 7×10 inch hot press 140# watercolor paper. Hot pressed paper seems to be the best choice for gouache. Time to order some more!
If you think that the SoCal coast can be foggy, Oregon is by far more foggy at times! It’s an incredibly beautiful coastline with wide, nearly empty beaches. Out to sea are the sea stacks, some large, some small. In clear weather they are stunning, in the fog, spooky and eerie.
Today, a limited palette and paying particular attention to laying down water and thin colors. Washes are the dominant technique used here. My little picky brush strokes had to give way to broad ones for the beach and damp sand. It actually worked fairly well. Water, water, everywhere!