Before I knew that gouache works best fresh out of the tube, I filled a palette up just as I do with watercolors. Let’s face it, paint ain’t cheap, so I wet these paints over and over. Finally, most of the colors are used up and it is into the sink to soak for now! In the future, fresh paint. That will be a really new event for me because I don’t tend to paint like that. I made swatch cards of all my gouache colors (more than 20, less than 1000), so I plan to use those as I consider paints in future paintings.
Today I am entertaining myself by watching watercolor videos on YouTube, along with ones on ink drawing, sewing, and whatever. As I watch – looking up here and there from my practice – I decided after a couple of pages it was time to draw. Why not an artist’s palette with watercolors waiting to be used?
This is perhaps one of the first paintings – sketches? – that I have done since re-visiting watercolors a few weeks ago that does not depend on ink lines to make sense of what it is. It’s still floating in space, as the shadows are not especially strong. There are a few things I like here. One is how there is a highlight in the read of the mouse. Another is the central brownish panel on the side of the mouse, which is a mixture of carbazole violet and Naples yellow. The black outline of the mouse is in Daniel Smith’s Genuine Sodalite, which I picked up some time ago. It’s a rather nice blackish color. The blues in the background / foreground are from Daniel Smith’s Lapis Lazuli Genuine, which, like the sodalite, I picked up on a whim. It will be interesting to see how these two paints work.
I also set up my studio palette the other day, choosing a variety of colors to fill my Quiller palette. I did a color study and labeled all my colors, except one, which I think might be yellow ochre – or not!