Yesterday I decided to put together my own travel palette of watercolors. These pumpkins are an experiment to see how certain colors work together. I had to choose from a ton of colors, and narrow it down to 18. Here I am using Quin Gold, Hansa Yellow, Perinone Orange, Carbazole Violet, Cobalt Blue, Sap Green, Green Gold, and Hooker’s Green. It’s really hard to choose colors as well as how to arrange them!
Today I present you with the teasel. These plants were once harvested to make carding brushes for wool. They were mounted on wooden boards when dried, and the wool was placed between the carders, and combed or brushed back and forth until the clean wool was aligned, ready to be spun.
After I initially posted the ink-only drawing, I decided to play once more with the InkTense pencils. This time I mixed colors together, such as a red-violet and a blue to make the lavenders of the flowers, and yellows and greens and browns in different areas before applying a small amount of water with a water brush. I’m not sure if I am happy with the colored results, but you never know how something works until you try it, right?
Beds of dried, caked and cracked mud are fascinating. Footprints in them are even better, or the mysterious sliding rocks found in Death Valley. I looked at a lot of pictures of mud flats, and one thing I noticed were curves and angles as well as the way light bounces off their slightly uneven surfaces.
Here I used ink and water, specifically Private Reserve’s Copper Burst. I have never considered using fountain pen ink as a painting medium, but it’s opened up my eye to its potential.