Flat land is like a calm sea. Few things break it up – perhaps a tree or a whale breeching. It is a challenge to compress the lines of the landscape into the narrow space seen to convey depth, space, and a sense of the land’s geography. The vast sky can dominate.
Last summer we drove through a lot of the wild west. The loneliness of Wyoming always gets me – vistas of open space, few cars, fewer people. Taking a picture during the summer is much different than what you see in winter, so I looked at some of the photos I took out of the window as we drove from Laramie to the Tetons. I tried to imagine how barren and cold it could be. Always the sky, always the distance, always the barbed wire fences. Again, in Ultramarine Blue and Burnt Sienna.
Besides trying to imagine a scene, I also tried out a new brush. It is a Cosmotop flat, by DaVinci brushes of Germany; it’s about 3/4″ wide. I wanted to see how it would do on the Canson XL paper I use for practice, in particular to see if I could get a “sparkly” effect with a dry brush. The paper is too smooth for that to work successfully, which is why there are fine lines in the foreground. (Sigh.) It did a pretty good job for wet-in-wet sky, and along the horizon line.