In the spirit of details and edges to convey perspective, as well as the fact I was really intrigued by the water and rocks and such from yesterday’s painting, I went to Rick Surowicz’s YouTube channel. I know he has a lot of videos, some which feature flowing water. I chose his study “Rushing Waters” to practice detail and edges along with perspective.
I am rather pleased with the way my version of this study came out. As I do these practice studies, I find I am beginning to rely on myself more and more for painting. In other words, 6 months ago I would bemoan the fact that my painting does not look like the photo or the painting I was using as a study. Now, while I look and learn from the instructions, I also am comfortable making my own painting decisions.
I really like Surowicz’s work. His attention to detail and ability to explain his process of painting really helps the person attempting to learn. This kind of knowledge sinks in with time, and it’s a lot of fun to see one’s own progress both on paper and in one’s head . . .
When I do studies like this one, and am pleased with the results, I think one day I will be a good painter. When? That is the question. Copying someone’s work is pretty easy once you get the hang of it – but what about producing original paintings which are not copies and practice studies of another’s?
I know that we all need to practice what we want to learn. Sometimes, though, it would be nice to “get there” more often than not!
Pen, ink, watercolor. I used Bee 8×10 cotton watercolor paper. It’s not expensive, but price does not always indicate “good” or “bad” paper. It is a nice paper to work on whether wet, damp, or dry. Because it is small, color is easier to control than on a large sheet. I like it a lot.
This morning I set out to do a couple of things. First was to do another ink / pen drawing. I used the same sketchbook as I did yesterday, one with lightweight paper that worked very well yesterday. Second, the attempt to stretch myself a bit and do a beach scene. I find waves incredibly difficult.
The sketch itself was okay – nothing particularly challenging in and of itself. I rather liked the composition. However, if you look at the sketch above, do you see those little greyish streaks in the lower left and center? That should have clued me in then and there – the paper is very thin. Water? What was I thinking of?
And here we are, with washes applied with a lot of water. Even though you cannot see it, the paper became mottled in appearance, buckled and crumpled. Ugh! But, what the hell, I may as well try something. And thus, I picked up my box of Caran D’Arche’s Neocolor II crayons, and carried on . . .
Having never really used the Neocolor crayons before, I will say I liked them. I scribbled in colors which I thought might work, and then laid other colors on top of them to blend before using water. And then with a waterbrush – not a laden brush – I smoothed and shaded.
I am not pleased with this picture at all, but I still learned something about a medium I haven’t really explored – the watercolor crayons. On a heavier paper designed to take water, there is a lot of potential here. I love coloring, so I can see myself moving into this area, perhaps more so than with watercolor pencils, which seem more delicate to me in their color rendering, but perhaps that is wrong as I have limited experience with them as well.
Oh, well. The picture was a disaster, but the potential far outweighs it.