Tag: Southwest

In the Canyon

Another rendering of another artist’s work! This is from a (what else?) YouTube video by Roland Lee, an American watercolorist who paints the national parks of Bryce and Zion with a beautiful and delicate touch.

The subject here, of course, is landscape, but here are more subtle renderings of nature – here, more trees – using negative painting. I added a few of my own touches, of course, but the point of the lesson was observed and learned to a degree. Not easy to do, not easy to follow, but I rather like the results. More practice to come, too.

Learning from a paint-along is rather fun, at times daunting. I used to think of my paintings all as “failures” because I never replicated the teacher’s work. Of course, that is silly, but until I could let it go, as well as become more adept at watercolors and skilled in their handling, my own paintings would be disappointments. Now I am getting comfortable with my own style, if there is one, as well as how I handle everything. Skills are building.

Done on Arches CP 140#, 9×12.

And here is the video to enjoy – Roland Lee is a good presenter – clear instructions and a deft hand. I know I will be looking at more of his over time.

Monsoon Season is Here

The summer months bring rain to the American Southwest. Skies become dark, light bright and fleeting; a sudden downpour, and then it vanishes. The clouds clear and once more the intense light returns. Everything becomes more vivid and alive during these brief showers and scudding clouds with lightning often adding to the drama. To me, this is the desert at its best – a harsh beauty in a harsh land.

Virgin River

Practicing watercolor, and here we are – once more addicted!  My new routine is artwork in any form, and then some sewing or other fiber arts.  Gardening soon now that it isn’t raining.  Life in quarantine hasn’t changed our lives much here – no kids to home school – but it has helped to focus on what is important in our lives besides food!

9×12 Arches watercolor, done mostly with a angle brush and rigger.  Some gouache used.

Mesa, Sunrise

For the next week, my schedule is a bit different.  I have to be in to work 30 minutes earlier than normal, so I did this quick sketch in my Stillman & Birn softcover book.  The ink is iron gall.  I tried to keep the lines minimal, enough to capture important elements of the landscape, but not so much that they become dominant or what will (eventually) hold the image together.  Hopefully I will be able to work on shadows and light, working to good contrast.  I seem to need lines – I am comfortable with them – that are clearly visible.  Interesting to find out how we all work, eh?