226. Dappled Light

It’s been nearly 10 days since my last post.  Nothing traumatic to keep me away from painting – I just have had appointments and social activities accompanied by making sure all my retirement paperwork and insurance is in place for my “official” beginning of being a Medicare recipient on June 1st!  It’s been a slog, but it is in place, and hopefully nothing will make me have to do it all over again.

That said and done, the weather here in California has been really strange.  The new normal!  We have had rain into the month of May, and as a result flowers and plants and butterflies are prodigious, with spring flowers lasting well into what might be considered the summer months.  Even the hills are still colorful, but slowly fading to the usual beige and brown.  The rain, though, fills the bright blue sky with big clouds, sometimes ones which sit around and slowly disperse, sometimes with ones that dance their way across the sky, changing with every glance.  When I was a kid in the middle of nowhere, I loved lying in the hammock and making up stories as the clouds shifted and reformed.  It’s as magical now as it was then.

The local botanical garden is one of my favorite places.  It has so many things to see.  A variety of habitats are represented – desert, Mediterranean, and woodland, to name a few.  Today’s painting is a scene along one of the pathways, from the photo I took below.

I am always attracted to dappled light – the strong contrasts of dark and bright.  Photographically, it is hard to capture, but I was relatively pleased with the way the photo caught it.  I am also fairly pleased as to how I was able to interpret the photo and the light.  It was a struggle, and especially difficult after nearly two weeks of inactivity, but it worked out in the end.

175. In the Style of Urban (Not the Pope)

In a number of circles, there is an “urban sketch” style done with ink and watercolor.  Drawing and painting are combined.  Some people are masters of it, in my opinion, having a good balance of ink and clear watercolor, with one or the other predominating, and the other not overwhelming its partner.  (I hope that made sense!)

I am trying to find that balance.  I’d say I am okay with ink, but heavy-handed with color.

Today I decided to try two things.  The first is above – a simple “country” scene with trees (and green!  remember yesterday?), a fence, and a building.  The idea was for the sun – the light source – to be coming from the left, behind the barn.  I’m not so sure what that big blue thing is to the right of the (obvious) three shadows of the trees, but it’s too late to do anything about that!

This one is an urban scene, one obviously not in downtown Los Angeles, but in some older part of the world.  Here, the light is coming from the right, perhaps, but the alleys and buildings create their own logic.  Shadows are broken up with bright spots.  One can only imagine that to find the light, looking up will reveal a world much different than the one on the ground.  I think this one was fairly successful; there are parts which seem to work, and others that make no sense at all – like, what is that thing?  Scribble more ink on it and let the viewer guess!