Forest Road

I’d forgotten how much fun painting with gouache can be! Today, a painting of a forest road running through a lot of trees, but not so heavy with leaves that light doesn’t shine through. I began with a value study – again, more for shapes I think in light and dark.

The first layer of the painting had thin washes to set up the light green in the distance. Then, general dark shapes were added after the road was limned. The trees were then painted, dark to light, using long strokes with a round brush. After that, a flat was used for broad sweeps of the road. Finally, dabs of color to create a sense of dappled light on leaves. Final touches included some dashes of white and a blackish mix (purple, green, black) for lines and bits of contrast. What I really liked is the ivy climbing up the trees, creating bright splotches of color. Altogether, I think it worked quite well.

The value study is becoming valuable. Yeah, really. It helps me see where strong shapes against light shapes create visual interest and leading lines. Value studies are general but the painting becomes more specific.

Lavender Field

Pastels are getting to be addictive.  Unfortunately, this scan for some reason came out a bit too yellow-green, but I wasn’t interesting in putzing with it!

I tried a few different things here – in particular how I made marks.  Vertical and horizontal to contrast.  Obviously the lavender is vertical and tilty, but in between, horizontal helps create some interest.  The trees I used a torchon to scumble and blend the colors, as well as push shapes into the sky.

I know I am getting addicted to this – I just ordered a roll of Uart 600 grit sanded paper – 56 x 10 yards.  That should last awhile!  This was done on a 9 x 12 inch bit of Canson Mi Teintes, which is a very nice paper, but unsanded.  I like them both.