Tag: woodland

Early Morning

Another wet, wet painting in watercolor.

Here, I wet the paper, and then began putting in areas of color, beginning with the sky in the central part of the painting, and then blobbing down the foliage in the foreground and the distance. The line of the slope was separated from the horizon beyond. As things dried, I blobbed on more colors, and continued to work wet-into-wet as the paper dried. In the end, I was able to draw the trunks of the distant trees without their blurring using diluted colors of the darker tree trunks.

It’s really hard to describe how to do a painting like this. In doing these kinds of paintings I am finding it is necessary to have a sense of the composition itself – lights, darks, soft shapes, hard edges. It is also necessary to think about negative and positive space while painting, as well as the overall effect desired. I worked light to dark, and strove to keep the earliest colors as separate as possible from others. In the end, I used glazes to unify areas with color as well as worked with thick paint and a very dry brush for some detail.

140# CP Arches, 16×20. It took about 3 hours to work on, using time in between to dry the paper with a blow dryer or let the water get absorbed into the paper so softer edges could be achieved.

Of the 3 “splish splash” paintings I have done, this one is my favorite. This technique works very well for areas with a lot of foliage, but what about ocean scenes, skies, and so on? That is next on my agenda for this method.

This was a lot of fun – I hope you like it!

Yellow Amanita Muscaria

Amanita Muscaria is quite poisonous. I’ve seen it in red, but in cruising the internet came across a yellow variant.   The yellow variant is also know as fly agaric. 

Fungi and mushrooms are neither plant nor animal – I think they are kind of creepy, but at the same time so fascinating. Where I live it is too dry most of the time for mushrooms to appear, but they can be found in damper areas along creeks and arroyos, as well as on my front lawn after the rain. Then, we get fairy rings!

As before, a quick pencil sketch, but this was more for planning the painting than values. Gouache, 5×7, CP 140# paper.

On the Forest Floor

A few goals for this mornings painting.  First, keeping the white flowers white.  Outlines helped here!  Second, wet-in-wet painting.  That worked well, too.  As an afterthought, I worked on the shape of the vignette within the frame.  Top, bottom, sides.  The far right could run off the page a bit more – I could crop it, if I wanted, but I rather like the reminder of the flaws I see, too.